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This weekend my wife and I watched an excellent HBO movie, now on DVD, that is well worth renting: Temple Grandin, starring Claire Danes as Temple Grandin in an award-winning role that depicts her struggles and achievements through autism in the 1960s and 70s, where more preconceptions existed than they do today.

Here is Amazon’s review, which summarizes the film nicely:

It doesn’t take long to see that Temple Grandin, the main character in this eponymous HBO movie, is, well, different—she (in the person of Claire Danes, who plays her) tells us before the credits start that she’s “not like other people.” But “different” is not “less.” Indeed, Grandin, who is now in her 60s, has accomplished a good deal more than a great many “normal” folks, let alone others afflicted with the autism that Grandin overcame on her way to earning a doctorate and becoming a bestselling author and a pioneer in the humane treatment of livestock. It wasn’t easy. The doctor who diagnosed her at age 4 said she’d never talk and would have to be institutionalized. Only through the dogged efforts of her mother (Julia Ormond), who was told that “lack of bonding” with her child might have caused the autism, did Grandin learn to speak; to go to high school, college, and grad school; and to become a highly productive scientist, enduring the cruel taunts of her classmates and the resistance of many of the adults in her life (most of whom are shown as either narrow-minded prigs or macho, chauvinist jerks). Her lack of social skills and sometimes violent reactions to the overstimulation in her environment made it tough to fit in, to say the least. Danes, who is in nearly every scene of director Mick Jackson’s film, is remarkable, embodying Grandin’s various idiosyncrasies (such as talking, too loud, too fast, and too much) without resorting to caricature. Jackson does a marvelous job of depicting not only her actual accomplishments (among other things, she took the “squeeze machine” created to “gentle” upset cattle and adapted it for herself, using it to replace the hugs she never got as a child; later on, she revolutionized the systems used to prepare cows for slaughter, as well as the design of the slaughterhouses themselves), but also her more abstract talents, especially the extraordinary visual acuity that enables her to remember virtually everything she’s ever seen. This is mostly Danes’s film, but the whole cast is top-notch, especially Ormond, Catherine O’Hara as Temple’s aunt, and David Strathairn as one of the few teachers who saw Grandin’s potential. Captivating, compelling, and thoroughly entertaining, Temple Grandin is highly recommended.

In an interview about the film, Dr. Grandin says that the creative art techniques in the film are a highly accurate depiction of her “visual thinking” and what overstimulation feels like for an autistic person.

(An aside: One of the results of being in God’s image, according to Genesis 1:26, is that man is to have “dominion over . . . the livestock,” and Dr. Grandin’s example in this regard is exemplary—caring for creation in a creative and compassionate way without deifying nature and animals. This may not make sense without seeing the film, but if you do see it, look for this common-grace theme.)

Here is a brief trailer for the film:

And here is an hour-long lecture by Dr. Grandin on the autism spectrum, which is very helpful and illuminating on understanding and dealing with autism:

Noël Piper highly recommends this book by Dr. Grandin, Thinking In Pictures: And Other Reports from My Life with Autism, along with this video.

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