Mar
25
2010
Hunter’s To Change the World: Seven Propositions on Culture
I’m doing a chapter-by-chapter summary of James Davison Hunter’s new book, To Change the World: The Irony, Tragedy, and Possibility of Christianity in the Late Modern World (Oxford University Press, 2010). Today we’re on chapter 4.
Hunter has been looking at the fundamental flaws of the prevailing view of culture and cultural change. They are weak and ineffective because they fail to take into account
- the nature of culture in its complexity; and
- the factors that give culture its strength and resilience over time.
Hunter presents his social theory in eleven propositions, divided into two categories. We’ll look at the first category (on culture) today, and the second category (on cultural change) tomorrow:
Seven Propositions on Culture
1. Culture is a system of truth claims and moral obligations.
“Culture is, first and foremost, a normative order by which we comprehend other, the larger world, and ourselves and through which we individually and collectively order our experience” (p. 32).
At the heart of culture is a complex of norms, or commanding truths, which define the shoulds vs should-nots of our experience (i.e., good and evil, right and wrong, appropriate and inappropriate, honorable and shameful).
Frameworks of knowledge and understanding are largely prereflective (we take them for granted and things seem obvious) and are mainly coterminous with language—which is why it’s very difficult to change or question one’s worldview. Most of what shapes and directs us “operates far below what most of us are capable of consciously grasping” (p. 33).
2. Culture is a product of history.
Culture is highly resistant and durable over time; it’s less an invention of the will and more a slow product of history; the relationship of a culture to its history makes it “lumbering and erratic at the same time” (p. 34).
3. Culture is intrinsically dialectical.
There are two forms of this dialectic:
- ideas and institutions; and
- individuals and institutions.
Ideas and Institutions Intersect
“Culture is as much an infrastructure as it is ideas” (p. 34). Culture “is generated and exists at the intersection of ideas and institutions” (p. 34). “It is better to think of culture as a thing, if you will, manufactured not by lone individuals but rather by institutions and the elites who lead them” (p. 34).
Individuals and Institutions Are Inseparable
“Institutions cannot exist without the individuals who make them work, but individuals cannot be understood outside of the institutions that form them and frame all of their activity” (p. 35).
4. Culture is a resource, and, as such, a form of power.
Symbols are a resource. When cultural meaning is imputed to symbols, then culture can be thought to have symbolic capital.
(Examples: a winner of a Nobel Prize in literature has more symbolic capital than a romance novelist; The New York Times has more symbolic capital than The Dallas Morning News; Yale University has more symbolic capital than Bob Jones University, etc.)
Accumulating symbolic capital translates into a form of power and influence in terms of credibility and the power to define reality.
5. Cultural production and symbolic capital are stratified in a fairly rigid structure of “center” and “periphery.”
With cultural capital, it’s quality not quantity that matters. “The individuals, networks and institutions most critically involved in the production of a culture operate in the “center” where prestige is the highest, not on the periphery, where status is low” (p. 37).
(Examples, USA Today may sell more newspapers than The New York Times but the latter is at the center of cultural production.)
“The status structure of culture and cultural production is of paramount importance to understanding culture and cultural change” (p. 37).
6. Culture is generated within networks.
Thomas Carlyle’s “great man of history” view — “the history of the world is but the biography of great men”—is mostly wrong.
Rather, “the key actor in history is not individual genius but rather the network [=community] and the new institutions that are created out of those networks” (p. 38). The more “dense” (active, interactive) the network, the more influential it could be.
Yes, there have been charismatic, heroic geniuses in history (Luther, Calvin, Wilberforce, etc.). But “charisma and genius and their cultural consequences do not exist outside of networks of similarly oriented people and similarly aligned institutions” (p. 38).
7. Culture is neither autonomous nor fully coherent.
Culture (ideas + institutions) is “mixed together in the most complex ways imaginable with all other institutions” (esp. our market economy and the state) (p. 39). Because one cannot separate culture from its institutional spheres, “culture is never fully autonomous” (p. 39).
Given the tensions and internal antagonism of perspectives within culture, it can never be fully coherent.
Tomorrow we’ll look at Hunter’s four propositions on cultural change, where he tweaks the well-known maxim that “ideas have consequences.”






