The clip below is not much to look at (ok, there’s really nothing to look at), but the sound is lovely, and the story that follows is encouraging.

Aurelius Clemens Prudentius was born in Spain in 348 A.D. He was loyal to the Roman Empire and considered it an “instrument in the hands of Providence for the advancement of Christianity.”

Thirty-five years prior to his birth, Christianity had been granted full toleration under the Edict of Milan. With Constantine’s conversion, Christianity became the favored religion of the Empire, a change that is oft maligned by younger evangelicals suspicious of “Christendom,” but must have been a welcome relief and answer to prayer for the beleagured saints in the fourth century.

Prudentius was trained to be a lawyer and rose to high office, serving as a powerful judge. He rose through the ranks of the state and finished his civil career as a court official for the Christian Emperor Theodosius.

At the age of fifty-seven, at the height of his power and prestige, Prudentius grew weary of civic life and considered his life thus far to have been a waste. He was having a midlife crisis (or, given the age span at the time, more like an almost-at-the-end-of-my-life crisis). So the successful lawyer, judge, and civil servant retired to write hymns and poetry. For the last decade of his life, before his death around 413, Prudentius wrote some of the most beautiful hymns of his day.

His poetry was treasured throughout the Middle Ages. His collection of twelve long poems (Cathemerinon), one for each hour of the day, became the foundation for several of the office hymns of the church. But without a doubt, Prudentius’ best known hymn today is Corde Natus Ex Parentis–Of the Father’s Love Begotten.

It was translated into English by John Mason Neale and Henry Baker in the 1850s. It was included in the book Hymns Ancient and Modern and given the plainsong chant-like melody Divinum Mysterium (Divine Mystery), which may date back as far as the twelfth century.

The hymn/poem originally contained nine verses. The song tells the story of redemption. Verse one speaks of the Son’s eternal nature. Verse two is about creation. Verse three chronicles the fall. Verse four moves into redemption with the virgin birth. Verse five links the Christ child to ancient prophecies. Verse six is a chorus of praise to the Messiah. Verse seven warns of final judgment for the wicked. Verse eight tells of men, women, and children singing their songs of praise. And verse nine concludes the hymn with a song of victory to Father, Son, and Holy Spirit. Most Christians will recognize many of the verses, but sadly not all.

Of the Father’s love begotten,
Ere the worlds began to be,
He is Alpha and Omega,
He the source, the ending He,
Of the things that are, that have been,
And that future years shall see,
Evermore and evermore!

At His Word the worlds were framèd;
He commanded; it was done:
Heaven and earth and depths of ocean
In their threefold order one;
All that grows beneath the shining
Of the moon and burning sun,
Evermore and evermore!

He is found in human fashion,
Death and sorrow here to know,
That the race of Adam’s children
Doomed by law to endless woe,
May not henceforth die and perish
In the dreadful gulf below,
Evermore and evermore!

O that birth forever blessèd,
When the virgin, full of grace,
By the Holy Ghost conceiving,
Bare the Saviour of our race;
And the Babe, the world’s Redeemer,
First revealed His sacred face,
evermore and evermore!

O ye heights of heaven adore Him;
Angel hosts, His praises sing;
Powers, dominions, bow before Him,
and extol our God and King!
Let no tongue on earth be silent,
Every voice in concert sing,
Evermore and evermore!

This is He Whom seers in old time
Chanted of with one accord;
Whom the voices of the prophets
Promised in their faithful word;
Now He shines, the long expected,
Let creation praise its Lord,
Evermore and evermore!

Righteous judge of souls departed,
Righteous King of them that live,
On the Father’s throne exalted
None in might with Thee may strive;
Who at last in vengeance coming
Sinners from Thy face shalt drive,
Evermore and evermore!

Thee let old men, thee let young men,
Thee let boys in chorus sing;
Matrons, virgins, little maidens,
With glad voices answering:
Let their guileless songs re-echo,
And the heart its music bring,
Evermore and evermore!

Christ, to Thee with God the Father,
And, O Holy Ghost, to Thee,
Hymn and chant with high thanksgiving,
And unwearied praises be:
Honour, glory, and dominion,
And eternal victory,
Evermore and evermore!

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Comments:


7 thoughts on “Of the Father’s Love Begotten”

  1. Clarice says:

    Some of this hymn went on the back of our Christmas card this year. Thanks for giving us more reasons to love it!

  2. Grainne says:

    Wonderful. One small thing,though. I have noticed that singers in their performances nowadays seem to leave out the stanzas which mention sin, wrath or judgement and concentrate on those which deal with the love God has shown the world in sending His Son, and the great honor and praise to be given to Him. An example of this is John Rutter and the Cambridge Singers with “Lo He comes with clouds descending” and many renditions of o Come O Come Emmanuel. PC perhaps?

  3. thank you for sharing such a great thoughts..hope you post again …

  4. Jerry van der Pol says:

    Are there really “Gospel Coalition” pastors who actually have this sung in church to the traditional plainsong type tune?

  5. Flyaway says:

    Maybe God will do something in my life as I’ve been put on the shelf because of chronic pain. Right now I’m sticking to prayer and Bible study.

  6. Mark says:

    Thank you Kevin. I first heard this hymn at a Ligonier Conference. It was my wife’s and my song at our wedding. Three verses open. Three verses before vows. Three verses at close. Philippians 1:6

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Kevin DeYoung


Kevin DeYoung is senior pastor of University Reformed Church (RCA) in East Lansing, Michigan, near Michigan State University. He and his wife Trisha have six young children. You can follow him on Twitter.

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