Should We Use Bethel Songs in Worship? 4 Diagnostic Questions

At Watermark Community Church in Dallas, where I’m privileged to serve as pastor, there’s a sign in a back room that I made when teaching through 2 Peter:

Divine Physician’s General Warning:

Ingesting false teaching will complicate your life, possibly eternally. Examine the Scriptures to see if the things you hear are true.

Here’s the obvious message: Evaluate everything against God’s Word, which includes both the teaching we hear and also the lyrics we sing in corporate worship.

This discipline is especially relevant today, given the popularity of songs from Bethel Music and the increasing concerns over Bethel’s theology, practices, leadership, teachings, and school of “supernatural ministry.” Given that we should “examine everything carefully; hold fast to that which is good” (1 Thess. 5:21), it’s worth asking whether churches concerned with orthodoxy should sing songs associated with individuals or organizations with a history of errant beliefs or practices.

Not a New Issue

For generations Christians have embraced truth-filled hymns composed by authors who have held to unsupportable beliefs or who have fallen away from the faith. Here are just three examples.

• “A Mighty Fortress Is Our God,” penned by reformer Martin Luther, who wrote the 95 Theses that rightly protested corruption in the Roman Catholic Church and set off the Protestant Reformation, but who also wrote The Jews and Their Lies and On the Ineffable Name, which were rooted in hostility and horrific views toward Jews. (See Bernard Howard’s article, “Luther’s Jewish Problem.”)
• “Come, Thou Fount of Every Blessing,” written in 1757 by Methodist preacher Robert Robinson, who later fulfilled the “prone to wander” line by drifting away from the faith.
• “It Is Well with My Soul,” written by Horatio Gates Spafford after he lost his four children in the sinking of the SS Ville du Havre in November 1873. While his most famous work is this anthem to the truth of God’s sovereignty, his teachings on eternal punishment and the Holy Spirit were at best ill-informed, and at worst heretical.

So, should songs that strongly proclaim the truth of God’s Word no longer be used in corporate worship given other errant beliefs or practices by the authors or associated churches?

Here are four questions that might help when assessing whether a song, book, or any form of communication should be used.

1. Are you examining everything you consume (sermons, books, music, movies) through the lens of God’s Word?

It’s important that all believers are equipped with Scripture so they may accurately discern (1 John 4:1–3) whether a sermon, song, book, website, or other media aligns with Scripture and the Spirit. Every believer should be equipped to discern truth from error and live in fellowship with mature believers who hold them accountable in their discerning (Prov. 15:22).

Just because something feels right doesn’t mean it stands the test of God’s Word.

Just because something feels right doesn’t mean it stands the test of God’s Word.

2. Does the song stand on its own, proclaiming the truth of God’s Word without explanation?

Every song a church sings should be grounded in Scripture and sound doctrine and should edify the body of Christ (Eph. 4:29). Right worship is a form of equipping, and if the song is communicating unbiblical ideas, then it shouldn’t be welcomed in the church. Every song is the responsibility of the shepherds, and shepherds are to be on guard so that savage wolves (Acts 20:28) with snappy melodies don’t come into the flock.

Shepherds are to be on guard so that savage wolves with snappy melodies don’t come into the flock.

Over the years at Watermark we have examined countless songs for clarity, from “Away in a Manger” to “Reckless Love.” We constantly ask ourselves questions like, “Is it accurate to describe God’s love as ‘overwhelming, never-ending, and reckless?”—as the chorus of “Reckless Love” says? It’s the responsibility of the spiritual leaders in every church to make these calls. It’s not an overstatement to say that their protection of their people (Acts 20:28–30) and their own future judgment (Heb. 13:17) depend on it.

3. Is it possible to separate the truth being sung from the error of its associations?

A church is never in more danger than when a false teacher communicates under the guise of proclaiming truth (2 Cor. 11:14; Acts 16:16–18). In addition to false teachers, we must be aware of directing others toward ministries of well-meaning individuals consistently associated with false or errant theology and practices.

The leadership of Bethel and the teachings and practices embraced by its members, students, and ministry partners would, at a minimum, fall into this category. Promoting their songs—even though the songs themselves are theologically accurate—could open others to additional messages and ideas that are errant in practice and theology.

Historically, there is at least one significant example of music and lyrics being a means through which heresy was propagated. Arius (AD 250–336) was a capable songwriter and a theologian who denied Christ’s deity. He wrongly asserted that Jesus was a finite, created being with some divine attributes—not the eternal God. The popularity of his melodies and songs led to the rapid spread of his heretical ideas.

We must acknowledge that a well-written song can quickly lead others to a truth-forsaken place. While it’s unlikely that many today will dig up Horatio Spafford sermons if they sing “It Is Well,” many people will want to know more about Bethel’s “supernatural school of ministry” because of their excellent music.

4. Would using the song cause us to actively support an errant ministry?

Perhaps the most unavoidable implication is that using songs from these ministries and artists supports them financially. Even if you protect your flock from future influence, you unavoidably will be strengthening the ministries. The cost-benefit of the truths should be weighed in your ultimate decision.

Examine Everything

Our team examines the content and implications of every song we sing—whether they come from our own artists at Watermark, Bethel Music, Hillsong, Passion, or any other collective community or individual artist. We’ve often chosen not to sing certain songs because we didn’t believe the content to be theologically accurate or glorifying to God. At the same time, we sometimes sing lyrics and music written or produced by churches we wouldn’t want to disciple the saints.

We don’t need to be paranoid, but we do need to be vigilant. May everything we put before Jesus’s church ensure that “we may no longer be children, tossed to and fro by the waves and carried about by every wind of doctrine, by human cunning, by craftiness in deceitful schemes” (Eph. 4:14).

Catchy tunes can cause a lot of trouble, so listen with care and lead with godly conviction. Don’t sing a song just because people love it; sing it because it’s true and leads you to places where you can find more of God’s truth.