Genre
The book of Ezekiel is one of the most complex books in the Bible because so many different genres converge in it. It is important to grasp right at the start that this book is an anthology of separate pieces of writing. There is no single overarching story line; the unity is that of a carefully arranged collection (see Outline). The general arrangement of the material is one that several other OT prophetic books also follow—a general movement from (1) oracles of judgment against the prophet’s own nation of Judah (usually called Israel in the text), to (2) oracles of judgment against the surrounding pagan nations, to (3) oracles of future, eschatological blessing on those who believe in God.
Several observations are in order. First, much of the book consists of visionary writing, which transports readers to a world of the imagination where the rules of reality are obviously suspended in favor of highly unusual visions. To understand and relish the book of Ezekiel, readers often need to abandon expectations of realism. Second, Ezekiel employs a technique known as symbolic reality, which occurs when a writer consistently transports the reader to a world of visionary experience where the most important ingredients are symbols—symbols like a vine, a boiling pot, or a valley full of dry bones. Third, prophecy is itself a genre, made up of oracles (pronouncements from God through the agency of a prophet) that fall into two main categories—oracles of judgment and oracles of blessing. Oracles of judgment are ordinarily examples of satire, and in the prophetic satire of Ezekiel there are three motifs: (1) description of evil, (2) denunciation of this evil, and (3) warnings and predictions that God will judge the evil. Prophecy often merges with apocalyptic writing about epic, end-time struggles. These sections often portray events at the end of history. Finally, readers should not overlook the obvious—the prophet Ezekiel expresses himself in the form of poetry.
In addition to abandoning expectations of consistent realism, readers should give themselves to the sheer strangeness of what is presented. Ezekiel talks about real, historical events, but much of the time he does not portray these events in literal terms. Instead he prefers extravagant visions as his mode. Additionally, readers need to be ready for a kaleidoscope of details, always shifting and never in focus for very long. The best approach to the oracles of judgment is to analyze them according to the usual literary rules regarding satire.
Taken from the ESV® Study Bible (The Holy Bible, English Standard Version®), copyright ©2008 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. For more information on how to cite this material, see permissions information here.